A5: A Fairytale Rework

My final rework has come about in response to feedback from my tutor about how some of my final pieces lose the energy of my original sketches as I move them into the digital packages. It is also a fun but reflective piece on my own journey through Graphic Design One and how sometimes I may have let Wendelin Witch get the better of me about the rules I should follow.

I decided for this last piece to throw caution to the wind and just let loose, I also wanted to work backward and forward between digital and analogue to see what difference that might make. I wasn’t too sure how to approach it but I was so taken with the Serif Fairy book that I thought about a much younger readership and a fairytale type approach. My tutor also suggested a ‘zine format could be a useful way of revisiting A5.

So I sketched a quick story board and Wendelin the TypeWitch was born!

8 cell storyboard skethces for a fairytale

Storyboard sketches A5 rework

I hadn’t decided if I should work in InDesign or Illustrator but in the end created a range of assets in Illustrator which I then printed and used to create analogue collages. It is designed to be an A5 stapled pamphlet and I have left it deliberately rough and ready, avoiding the temptation to tidy things up!

This process was great and I wish I had felt confident enough to do it earlier on. I know my tutor was encouraging it but I wasn’t sure how to go about it. I guess I needed to feel I had a bigger toolkit before I could get there.

Family feedback seemed to think it was fun, but felt I was mean to melt Wendelin at the end!

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Exercise: Point of Sale display

Exercise (pg.52 Graphic Design One): Your local greengrocer has asked you to produce a point of sale display to go above the fruit and vegetables in their shop. They want the display to be seen from the street through the shop window to attract passing shoppers to increase trade.

You can use photographs, illustrations or a combination to develop two images – one of fruit and one of vegetables. The posters will be seen from a distance and mainly in people’s peripheral vision so the visuals need to be clear and dynamic. Ask others for feedback.


The brief

The elements I took from the brief are:

  • Attractive
  • Seen from a distance
  • A call to action
  • Clear and dynamic
  • Format is open

Researching and developing ideas

I have worked on this exercise over a number of weeks; collecting images, looking at POS displays in the shops and making thumbnail sketches. While this was helpful there was also a moment where the ideas felt almost limitless – from bowls of fruit, saucepans of steaming vegetables, to piles of individual fruit or fruit/veg shaped layouts.

I decided that I would go for backlit slices of fruit, as they are both colourful and intriguing, they show the structures of the fruit and vegetables in a way that I thought might be unfamiliar and would encourage curiosity. I wanted to try something that was less obvious. I also wanted an approach that could showcase some of the variety of what might be available to buy.

Visualising ideas

Lots of slicing later I took a range of photographs that I thought my work using a lightbox to provide even backlighting. Having worked on the visual approach I then focused on the text, this posed a new dilemma, as arguably the right visuals might be able to stand without any text. Given the brief I decided I would add some text but it needed to be simple, easily recognisable and work at a distance.

I worked on a range of approaches:

  • Alliteration – Fabulous fruit, Various vegetables, Virtuous vegetables, Feel Fabulous, Feeling Fruity! …
  • Health benefits – 5 a day – ‘Don’t forget your five a day,’ ‘Fruit five ways,’ ‘Have you had your 5 today?’
  • Puns – ‘Take your pick,’ ‘Pick me! ’ ‘Peas on Earth,’ etc. I liked the idea of some fruit/veg related jokes which might appeal to children and encourage them to want fruit/veg but I wasn’t sure they would be easily seen from outside the shop
  • Simple recipes – illustrations of some quick and easy recipes, like Grilled Pink Grapefruit with honey, or a quick green smoothie

In working through the different approaches I thought some were too complicated. I wanted the display to focus on a positive message about eating fruit and veg, reminding me of the various ‘I heart…’ slogans, which I then discovered was created by Milton Glaser for the ‘I love NY’ campaign. This kept it very simple and I decided to use it for the text although I thought I would leave out the ‘I’ and make it a more general statement.

I played with placement of the text and having got some feedback I decided I preferred the version with the slogan to the right hand side, with some white space around it. I created these versions in Photoshop because I could mock them up quickly. If I were to develop them further I would use Illustrator to create a smooth vector version.

At this point I thought I had finished, but then! I decided to try and go for a font close to Glaser’s original so found ‘Another Typewriter’, which I really liked with the visuals.

But then…! I looked again at some of my earlier sketches that were based on an idea to make the fruit/veg in the shape of hearts. I had sketched there being four types on a poster but when I placed the orange slice I decided to go for one – given that the poster needs to be seen from a distance. Some puppet warp later and I had two new versions which I felt worked better than the other posters.

I liked their simplicity and I felt they worked with the brief to attract buyers into the shop. Although I have kept the text to single words there is space to add logos or other information if needed.

Critique

I found the process of working and reworking my ideas to be invaluable. This helps keep me open to different ideas and not become too wedded to an initial idea or solution. It also reinforced for me the value of mocking up early ideas however crude.

In all honesty I was a little disappointed with the first posters, as they didn’t have quite the crispness or clarity I was looking for. Although I like the effect of the backlit fruit and veg I think in the end it was too busy and complicated (I also forgot to include the celery which has irritated me ever since!).

I did keep to the ‘love’ notion as it gave me the simplicity I thought the design needed and was easily seen at a distance. It is also in keeping with advice around enjoying fruit and veg, and encouraging more balanced diets.

The final design choice might be regarded as too simplistic but in looking at fruit & veg points of sales in local supermarkets there is a tendency towards pictures of the fruit/veg with very simple slogans. Few have logos or wider information.

 

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